Review Blog


Posted by Gerald Wright on June 9, 2017 at 10:40 PM

                         THE 2017 HUMAN RIGHTS WATCH FILM FESTIVAL

                Co-presented by the Film Society of Lincoln Center and IFC Center

                                                        June 9- 18, 2017

The Human Rights Watch Film Festival will be presented with 21 films and discussions showcasing courageous activists exposing topical and provocative feature documentaries during challenging times.  In an era of global advances by far-right forces into the political mainstream, assaults on the free press, and the rise of "citizen journalism", festival organizers hope that the films in this year's program can serve as an inspiration and motivation for the audience, from seasoned activists to those searching for a role in local and global movements.

Now in its 28th edition, the Human Rights Watch Film Festival is co-presented by the Film Society O lincoln Center and IFC Center.  All screenings will be followed by indepth discussions with filmmakers, film subjects, Human Rights Watch researchers, and special guests.



Directed by: Zaradasht Ahmed

Running time: 86 minutes

Release date: June 23, 2017

Genre: Documentary in Arabic, Norwegian, Portugese, and Swedish with English subtitles.

Distributor: East Viilage Entertainment release in association with Ryan Bruce Levey Film Distribution.

Director and photographer Zaradasht Ahmed is a Kurdsih/Norwegian filmmaker. He was born and raised in Northern Iraq.  He states, "My ambition is to let the audience reflect on the human consequences of a brutal reality where all taboos are violated.  With Nowhere to Hide I want to show that we are all part of this reality - war, explosions, victims, terrorism, they affect us globally, and we are all responsible, despite our geographical whereabouts.  Meanwhile, I want to show the human resistance that is growing among these survivors; to show the hope of rebuilding after the breakdown of civilization.  In the end, as humans, the only thing that can help us survive is to believe that the will to build will always be stronger than the desire to destroy."

Nowhere to Hide follows male nurse Nori Sharif through five years of dramatic change, providing unique access into one of the world's most dangerous and inaccessible areas - the "triangle of death" in central Iraq.  Initially filming stories of survivors and the hope of a better future as American and Coalition troops retreat from Iraq in 2011, conflicts continue with Iraqi militias, and the population flees accompanied by most of the hospital staff. 

Nori, his wife, and four children find their lives of somewhat normality turned around during 2011.  As a member of a local medical emergency room, working regular hours, and returning home to help raise a family with his wife, now finds himself dealing with the collateral damage from the U.S. invasion against ISIS and suicide bombers.  As ISIS pushes into their region and take control of central Iraq, Nori steps his work to act as a doctor, as the real doctors flee from the hospital.  At home bullets fly randomly from ISIS snipers, and 2014 Nori and his family leave their home in Jalawla.  As Nori and his family travel the region in their vehicle seeking refuge, they witness the destruction.  The attitude of themselves and others to this carnage becomes numb, but his will to help others prevail.  He sets up temporary medical centers to care for the people he confronts and lives with.

What was Nori's original home project of filmming his hospital, family and communty over a five year period, drastically turns into a filmage of himself dealing with war.  It all comes full circle as he and a couple of others return to their hospital, only to find devastation.  This film touches on the refugee issue and the unsettle challenges of war's aftermath, in a first-person's account.


500 YEARS: Life in Resistance

Directed by:  Pamela Yates

Running time: 105 minutes

Release date: July 12, 2017

Genre: Documentary

Distributor: Paladin

Documentarian Pamela Yates has formed a Resistance Saga, cinematically designed to galvanize audiences to fight back when society is faced with authoritarianism and deagogues.  It is long term courageous and strategic film resistance against daunting odds, with a powerful example being focused on the Mayan people (Indigenous tribes of Guatemala). 

The Resistance Saga Trilogy began with When the Mountains Tremble (1982) which introduced indigenous rights leader Rigoberta Menchu as the storyteller in her role to expose repression during Guatemala's brutal armed conflict.  The in her sequel film, Granito: How to Nail a Dictator (2011), the poltical thriller detailing international efforts to build a genocide case against Guatemalan General Efrain Rios Montt, with actual filmed forensic case evidence in his prosecution.  In this third film 500 Years: Life in Resistance (2017), it picks right up from Granito, providing insight access to the first trial in the history of the Americas to prosecute the genocide of indigenous people.  It is an epic story that led Guatemala to a tipping point in their history, from the genocide trial of General Efrain Rios Montt to the popular movement that toppled sitting President Otto Perez Molina.

The Guatemalan genocide or "Silent Holocaust" refers to the massacre of Maya civilians during the Guatemalan military government's counterinsurgency operations.  Massacres, forced disappearances, torture, and summary executions of guerrillas and especially civilian collaborators at the hands of U.S. backed security forces.  The terror apparatus has benn in existence since the early Spaniard explorations, conquering, and settling colonial rule in South Americas.  However, the repression in the 20th century, specifically in the 1960s and 1970s under the Zacapa program and the Arana presidency, recorded the genocide stages of the Massacre at Panzos, genocide under Lucas Garcia, General Benedicto Lucas, and Rios Montt are the most acknowledged.  It is reported that the deaths are approximately 200,000 Maya peoples and 50,000 Ladino in this 50 to 60 year period.  

The film is strained by repitition of protest scenes, but the focus on universal themes of justice, racism, power, and corruption is very relevent.  Yet, the documentary tells the story from the perspective of the majority indigenous Mayan population in Guatemala, and explores their struggles in the country's growing fight against impunity.



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